Reza Kianian late late stage appears on the scene that has a lot of interest. In this interview about his joint has spoken. Just remember that before this comes with much effort Bahman Farman Ara that show a man for all seasons that did not run.
I've heard that will be directed by Hamid Smndryan role of Galileo in Bertolt Brecht plays waiting game that stay.
But the interview ended with a discussion which I deleted from the text Introduction to get started with it. Rzakyanyan game is like an open-source. The text is playful and encourages you after a few time to head its new Points Bznydv found. The issue I raised with him, but because the detailed categories and separate the debate challenge, another time it expounded. About View Professor Bvbs different angles were also proposed for discussion. But the road map this dialogue based on the author being a theater actor and thus put the foundation before we went that we focus more on the subject game. Kianian statements about this was interesting. Read ...
Reza Kianian, photo gallery puts, short stories - writes, plays and sculpture with wood does. The things that we together, we see that kind of imagination for you. Look to the imagination of the simple objects are formed. According to you a very simple objects and events you Dramatyzh. A role from within the wood or take out a short encounter with the people you into the story. Part of the experience of looking at the basic returns that exists in every human being and artist and Dramatyzh Rtystyk to take its shape. But I think your point accuracy goes beyond mere talent. That kind of disruption in train talent you see in others that may stagger and have been abandoned. Perhaps this time you spot the difference is with others. Talk about how to start training this talent show to reach the next world.
I very interested in details, because details makes everything. Unfortunately, our current culture is a general notice, and always has deceived us. Always say good, good. Well, What gives? Everybody knows well, is good. But no one says good evidence in our daily life what are the facts. Think how much our articles and speeches about freedom and democracy we have. But still do not know freedom and democracy in our personal lives what it. Still can not define it and to share details. We define civil society. But always hooked on general theoretical discussion that the rest stay. General comments about the meaning when we talk in the abstract level are limited - we. An abstraction to the categories in order to talk about it. In our country, this debate is too abstract. No one comes to this debate has translated into everyday life or his findings and applied it to regulations to convert. If these Regulations to have, then we can live in them. For example, if civil society into the pavement motorcycle is? The answer is clear "No!". So why in our community into the pavement motorcycle is? This same detail. Overall if you can stop the Ykjayy. The social aspect can be Bsyardrbarh Majrast course it spoke. In the same way art is Nyzmajra. We talk about the details of art, can we talk about generalities it. I do not know on 10 Abbas Kiarostami film 10 have, or not? His film about the 10 categories film speaks. Azaynkh after his talk to all, where the famous Patrol keeps walking and come to an ant nest is under his feet. Camera takes the ant nest along with all the important issues of this human ant nest there who do not see it! Because the size of life is everywhere.
When I was a student, a professor in the visual arts had called Mr. Victor Darsh. He's also very stressed and said you must first understand that the general's visit. Reza Imani very dear friend who is a good teacher had great influence on me constantly try to see the details and I experience. Details should also see in practice. In this context I have much practice. This incident also happened Chvbm exhibition. I say a lot of wood under your feet on the cast get rejected, but the woods are the same - a work of art can be. My part of the woods, I collected and put on display and saw that the people came and bought them. In my photo was the same. Details of the nature that I chose because they are part can not be seen. 4 years for photos from various photography I bark. Until the screen that slowly moved along the front of my eyes. This work can be continued forever the coma that take still photos, but once you leave the exhibition. My next event is another matter. Come with digital camera, photography is easy. Images are many friends and they show me that many of them are really good. But always tell them to go search the Internet is filled with personal look at these photos is your The actor is in the same way. When you see a homogeneous general play, when looking at the details - you otherwise. In regard to your general play so that almost all people can play. The usual example is the old man playing the role. When the actor playing the old man tell me, Kmrsh to bend, rod in hand is shaking and his voice too.
In fact, a sign that the icon produced in the mind of every man - is ...
Yes, a sign through which we can talk about the old man. But when we talk about the old man to a particular story is different. Now we find the details hard to do the same. So aside public icon. Different but still the same old mind may be many. So the general community must constantly look aside, and did so constantly did so to achieve our own personal look. Now you can play the role of the old man that only you can play. But another example. When we say addicted, all they think, addicted to Sin to tell Shane, G to J say, Zanvhaysh is bent. That is addicted Khmardr public view. Now if you want to give him ecstatic that we should do? An obvious example of this icon, stock mirror was Tqy series. More complete index, and it will be more updates in Vosoughi Deer. But certain types of addicts must cast himself starts to think that if I was addicted to, how was addicted. I addicted to role play series, I think if people Reza Kianian in reality was an addict, was kind.
We offer a part of creation and art work together with the audience are facing. People you say about your work, but in the place where the audience in your work? For example, in the visual arts with the mentality that we are facing Vtkhyl, how the audience received the work from the perspective of the company do?
The first artist from his work should enjoy. After this result was fun, some come and enjoy it along with him and this will be the club enjoy art. According to another artist in any discipline, a child who enjoys their games. Unless a child with his game What does Piaget about it too has spoken. He says; children play is rehearsing his life. The practice of life, with vitality and freshness of a play happen - not with the dry fall and sternness of a scientific paper. Artist is the same species. He not only not forgotten his childhood, but it permanent irrigation is to remain fresh. When I take photos, I play with nature and enjoy it. The game shaped his discovery Bzrgsalanh also appears. Brecht said: "laughing and enjoying the many ways there. Can be happy through thousands and laughed. But one form of pleasure is the spot." Arshmyds when discovered naked from the bathtub and he found out jumps. He also enjoyed discovering the child had been! Enjoy discovering artists like The Joy of discovery is Arshmyds. Interesting that some child actors that play is an embarrassment - kill. Because they think are important people and important people will not even playfulness. But surely you've seen when two children are playing together Vchnd other children are added to them, with children as the previous game to continue. Audience or the audience that the next group are children. We are into the game and enjoy. Now the audience that we play the game we are not going into the game and others will be respectful.
I can be the author in a visual effect to understand. Or a definition for the director and writer I find the author. But you Bvbvs professor at stature become an actor, the author appears I will say that their marks. But I want to know that an actor in the collective work that writer and director Adam Afvah one of the main come is how can the author. Now, along with readings from the text by the director, actors must also be integrated with other actors, be handled out of the text and yet his influence is now ....
Basically, any artist can not work during the performance to its theorized. Because now I play on stage and off theorized could hurt my calls. Maybe a few months that I can run away I think about it, but today I can not. Today I Bazygvshm an actor on stage, I playfulness. Years that the theater had not worked, because I can not I work with all personalized. I can not play every time a play. Some even have ones that work have a look at me and I have been close. Because of this lack of love and also of the whopper is philosophical. But more because of this playfulness host. Theaters that have worked were the ones that satisfy my sense of play to the phone. View the same way, is Professor Bvbvs. Attila Pesyani thinks the same way. So Tyatrsh group name, the game is. The group experience also play their finds. Attila as a director can show me or tell me to play these games do not. He is right to discuss and together - we. But he asked for this type of game that ever time on stage has continued. I'm not at all the actors say director will tell you everything, I'm working myself. The collective whole, there I should format the whole playfulness do myself. Professor Bvbvs all feature types. This drama about 1925 years Russia has been written. Myrhvld first time in Lenin's time, run the play. What has had the courage! Of course, later the same reasons that Stalin killed his time. Aleksei Faykv author plays at the same time Stalin was sentenced to death and back to the gallows. Bulgakov also fell for what has happened. I play for the 1920 deaths today than I have playfulness.
Earlier program did not work with Attila Pesyani?
Why. Long before I was supposed to work with him. Years ago we were storm Shakespeare plays that we work together and he was not feasible as it Bhralghrayb played. Last year's work come together. The first two were suggested. One that wanted to merge Bl Gylgmsh with which the work was extensive and lengthy time to challenge and Passing through it until we got to play Professor Bvbvs. Attila in 60 wanted to play the game with the late Ahmad Qalv not run. Last year it gave me, and I read and liked this work. Our after Fajr Theater Festival began practicing them. I work the middle of a month I went to travel and after return from exercises took over.
From an interesting angle to see plays. There are other plays that same sense of playfulness to stimulate you?
Macbeth also like. Cherry Orchard, Seagull and Galileo and Amadeus are either playfulness. Playfulness of course, is not simply flirt. Can be Macbeth, playfulness Mkbsanh did.
Now I want to talk to more minor role in authoring. Professor Bvbvs with our tripartite dialectical're facing. Faykv text writer, text and text director Pesyani Kianian actor. Space here Bynazhny should be formed to understand the effect of our generalization. I want to see what Reza Kianian carefully to the points, we Bvbvs in a general form of View Pesyani see and read about Reza Kianian is that?
Prof. Adam Bvbvs a normal community. A retired teacher. Learned in life is Zbl. Adam himself thinks is important. But that is ultimately good people there and a general look like all those people who walk in the street. Thinks should also use its position, thinks he needs to on time. To describe all this remains a mosquito that can be easily crushed to him. All this was very interesting contradiction for me. I place a lot of playfulness to provide. The audience of this game much enjoyed contradictions. Attila also knew this. Myzansn way this show is such a character as the clothes come and show your display - pass. All except Professor Bvbvs are. He entered the stage from the audience is. From here, both in conflict with others in the world of his show begins. Bvbvs is made of people in this house and all the contradictions of social comic here is formed. Attila also knew that because the audience Bvbvs communication with the audience that others do not have the connections. I think if the other actors who want to give my work done, can disrupt puts Shaklh display. It happens that some players like me want to communicate with the audience, but restricts them to Attila.
Bvbvs is a teacher. I think part of your game and dialectic within and outside the text of this aspect of his personality in the covers. In some scenes you try to speak the text with the form of executive education to inspire the audience. One of those scenes that Zmanyst head you take to encourage the audience to address. Kindly teacher who is trying everything to the audience Bnmayand ..
no. Disagree with you here. Money is not too bold Bvbvs teacher. Bvbvs much complexity and I know this all together and see. He thinks no one understood. But perhaps they all understood. I think I need this aspect of his personality to highlight. Another way my game is that the role of narrative do. I do not defend him. I did mention that the scene as Reza Kianian say; spectator Look, Bvbvs did not understand all knew. So the audience laughs. The stage Bvbvs really think that is due to address. But the audience by actor I understood that Bvbvs empty wallet. In fact, if there floor beats the audience enjoys acting, not from Professor Bvbvs. Bvbvs thinks history will Thvylsh - be, but history does not interest him at all. Encouraged in this place too Bvbvs breaks and says I can not lie, the audience is silent and be affected. The actor here is play to the audience.
Another aspect of the dialectical play by you is created with the audience, looking away is arbitrary. View from the stage to the audience that sits somewhere below does not dictate. Which allowed the audience to participate in the game Bvbvs.
Several years ago during the war show Mississippi's marriage with the director Hamid Smndryan we run. Because I had contact with the audience. I totally disagree with the theory of the fourth wall. Audience must have entered the world game is. His eyes look. Bvbvs display like talking with the audience. The marriage of Mr. Mississippi show no features, but with other techniques to the audience got to play. References that I helped get eye to eye. Arthur Miller read an interview with this theme that day Miller Aktvrz studio goes to show that Lee Astrasbrg see it was directed. Where the girl had played with his dialogue that Miller had not noticed. Then come work Azpayan girl goes and says I do not understand your words. My daughter says you do not play. I play for myself. Miller also said the money so give me ticket. You're a group that organized the show and you've invited the audience to come see your show. So for me to play. Now I am Display Driver Model. I play for the Mkhatbm. I like this film too. It is true that I have direct contact with the audience, but I play for him. Earlier I had come to the cinema just said some Kianian so why play. Were to guard. But later I understood the game. Now I know the taste of the audience and I choose to.
You can display objects play. These objects are mostly virtual. This event is the gloss. I object that the audience can see them on stage, but it must be a way to understand that Reza Kianian has seen it. From the perspective of the characters look Bvbvs.
objects on display are among the signs that we associate with the audience have an effective role. The audience knows that I - I can during the show I open it. But the rules of the game and the signs say that another person should do so. The audience soon finds signs in them "is." This "is" word has it on display too much work to go. Now that we sign - these definitions, we just need them and we run our own definition. If you do not run correctly, the audience is confused. Professor Bvbvs display all objects are similar to the replica. First that they are Chynd Pesyani Khosrow, the audience will suspect that what they are. But then understood, these objects are also part of the game. On the other hand show the world in their game characters are accepted. When Bvbvs hidden behind a branch is, the characters do not see him. The viewer can play the game and accept that Bvbvs is hidden behind a tree. Here I would like to open parenthesis, "Zhstval" Discussion is an important actor in Once Upon a Time period should be able to exercise its right to do. Zhstval talk about acts that are designed to cast them to the audience to help them with visual effects features will be familiar with the inner character. Bvbvs clothes for when they wanted to design this character I would pants with it so long Faq pull up under his chest. This is a sign of his old man - who usually do not care to dress. Class and type of people wearing the same pants is defined. Audience, it may not careful, but it sees signs that goes into Nakhvdagahsh. Now I kind of stand in certain positions can also be symptoms. Once the audience I see that gesture, it in mind next time equivalent to. Now some of the bad actors in this Zhstval understand. They think they should pose to sell the audience glory. This is another sign. Each character has its own motion a language that actors should be able to recognize and then run it. You may take two photos together. After at our photos and you can understand how Aystadnshan that have a relationship with what. Now if they pose is incorrect, you can not seek to take their relationship.
بوبوس طنز خاصی دارد که در بازی شما هم نمایان است. او آدمی است از جنس خود ما. شکست او در پایان شکست همه ماست. این طنز کمک می کند تا ما بتوانیم سنگینی این شکست را تاب بیاوریم. اتفاقی که در تئاتر ابزورد بسیار رخ می دهد.
این طنز در بافت نمایشنامه بود. همینکه آدمی به اشتباه از دنیایی وارد دنیایی می شود که ربطی به او ندارد طنز اتفاق می افتد. اما خود من طنز را بسیار دوست دارم، چون فکر می کنم کل جهان یک طنز بزرگ است. این دو مسئله با هم آمیخت تا من بتوانم از طنز دلخواهم در بوبوس استفاده کنم. البته این طنز را می توان در تراژیک ترین کارهای دنیا نیز اجرا کرد. در این شکل هم تماشاگر تلخی را با شیرینی می پذیرد. این شیوه همان گروتسک معروف است که من آن را خیلی دوست دارم. کمال تبریزی هم در سینما با تلخی ها اینگونه برخورد می کند. بهمن فرمان آرا نیز با همین شیوه درباره مرگ صحبت می کند که شما فکر می کنید، عجب مرگ چقدر شیرین است!
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